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Fabfilter timeless 2 rap2/20/2023 To attach a source to a destination, you click and drag from the source's 'drag' button to the destination using a visual patch cable. Depending on the plug‑in, you can add up to 30 modulation sources into this area, each of which can be patched to up to eight destinations for each source. Modulation routing is handled in a section towards the bottom of each plug‑in window, which is scrollable, left to right, should you need it. So how do you offer multiple modulation options while still keeping things visually tidy? One possible answer lies in FabFilter's brilliantly titled 'What You Use Is What You See' system, which is also common to all three plug‑ins in the Creative suite. They're Giving Me ModulationsĮxtensive modulation capabilities are par for the course now, but some implementations are cryptic, at best! Some companies use a virtual patchcord system, and while this is pretty foolproof, it can also get untidy, particularly on a small plug‑in window. Given the fiery name, I imagine this was part of the design brief for Volcano. One thing I did notice early on is that the distortion/overdrive part of the filter kicks in at quite a low input level, meaning that if you are looking for clean filtering or just a little 'edge' you really do have to be careful about your input levels. I compared them to some of my other favourite filter plug‑ins: on some sources the differences were clear, but on others I wouldn't have been able to decide between them. There's no description of the technical differences between these, but they do provide a number of variations in tone, and these are fundamentally good‑sounding filters, whatever option you choose. As well as having low‑pass, high‑pass and band‑pass types and selectable slopes of 12, 24 and 48 dB/octave, you have the choice of 11 different 'characters': FabFilter One, Smooth, Raw, Hard, Hollow, Extreme, Gentle, Tube, Metal, Easy Going and Clean. All three are heavily based upon FabFilter's, er, filters - and their highly flexible modulation architecture - but used in different ways.įabFilter are clearly proud of said filters, given that they named the company after them! And perhaps they have reason to be proud, given the extremely flexible nature of the filters in question. Timeless 2 is a tape‑delay emulation, Twin 2 is their take on a virtual analogue synth, and Volcano 2 is a powerful multi‑mode filter. His hobby of building furniture for his home and his experience as a construction worker in his early Berlin days also came in handy when Stefan renovated the space and built his studio from scratch.The extensive modulation options available in all the FabFilter plug‑ins are augmented in Twin 2 by X‑Y pads.įabFilter's powerful plug‑in suite brings us advanced modulation possibilities, filters with multiple personalities, and plenty of overdrive.įabFilter's Creative range comprises three plug‑ins. Using the network he built and the skills he learned in his career as a musician, Stefan is now integrating his skills as a producer and sound engineer at Beatmine Studios and also as a member of the Beatmine prodution team and backing band with Chriz Key (keys) and Muhammad Ra'fat (drums). He hosts the weekly open mic Hip-Hop jam session "The Swag Jam" with his band The Swag, which has a reputation for being a strong underground center of the hip hop community in Berlin, pulling in visitors and guest artists from all over the world every Tuesday night. Stefan Fuhr's musical passion are for groove heavy genres such as Hip Hop, RnB, Neo-Soul, and contemporary Jazz. During this time Stefan slowly taught himself sound engineering and pursued a career at Deutsche Welle and WDR. Later he picked up the bass and fell in love with the fatness, the groove and the physical impact of the sound. Stefan studied classical and jazz piano from the age of 6 before joining his first band at the age of 16. He has performed on the Tonight Show starring Jimmy Fallon in New York City, MTV Unplugged, the Nokia Theater in LA, the Apollo Hammersmith in London, Festival Vina del Mar in Chile, the Donauinselfest in Vienna, and the Olympia Stadium in Berlin amongst many other venues and events. After working as a sound engineer at WDR and Deutsche Welle in Cologne for seven years and then working as a bass player with artists like Yusuf/Cat Stevens and Sido for another twelve years, Stefan Fuhr combines his extensive experience as a musician and his passion for sound to create and found Beatmine Studio.Īs a bassplayer his career has him taken all over world playing not only for diverse artists such as Yusuf/Cat Stevens and Sido, but also Dead Prez, Adel Tawil, Culcha Candela, and Jimmy Sommerville.
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